１９８０年代、空前の好景気を謳歌した日本漫画業界。しかし、２１世紀を迎える頃にはデジタル化の嵐が世界中に吹き荒れ、人々は漫画をアナログなアナクロ文化としてみなすようになり、商業誌は軒並み売り上げを落としていった。
そんな現代に、漫画文化の最先端国に生を受けつつ、漫画の表現方法を、史上例のない試みで根本的に再構築しようとする女丈夫がいた。
内田慎之介――。
商業誌でその才能を高く買われ、プロデビュー。しかし、彼女の先進性についていける者は多くはなかった。
内田は気づいた。
「原稿用紙は、私には小さすぎる……！」
『社畜』という日本独自の社会的ポジションに身を置きながらもコスプレをして巨大壁面に向かって漫画のライブペイントをおこなう、という突き抜けた前代未聞の発想。疑うならば、他にこのようなパフォーマンスを２０１５年の時点でおこなっていた者を挙げていただきたい。
本書は、そんな内田慎之介の、２０１６年１１月に開催されたデザインフェスタでの奇跡の軌跡を出来うる限り世の人々に伝えようという意図で作成された写真集である。
１日目、厳寒の中、内田は焦っていた。
「進捗がヤバイ……」
どうなる！？ どうする！？ 内田は２日間で見事大作を描き上げられるのか！？
古代人類が描いた壁画は、数千年の時を経て『ネオ東京』の地で内田の手によりバージョンアップ！
ダイナミックかつ官能的な『作品』と『作者』の両方が楽しめる、お得な１冊。
この写真集には漫画の可能性が詰まっている！ 読者は歴史の立会人かもしれない！
The Japanese cartoon industry which fully enjoyed unprecedented prosperity in 1980’s. But when the 21st century was met, a storm of digitalization raged in all over the world, and people came to regard a cartoon as analog anachronism culture, and a commercial magazine was decreasing the sales all.
The brave woman who tries to reorganize expression method of a cartoon fundamentally by the try which has no historical examples was in the most advanced country in cartoon culture such today, being given birth.
Shinnosuke Uchida--.
You buy its ability highly by a commercial magazine, professional debut. But there weren’t a lot of persons who can follow her spirit of innovation.
Uchida noticed.
“The manuscript paper is too small for me,......!”
Her Japan “syachiku”, I say that I get into a costume and do live paint of a cartoon to the huge wall though it’s in a personal social position, the unprecedented idea that you could penetrate. When it’s doubted, could you give me the person who was doing such other performances as of 2015?
This note is the photograph collection which was made by the intention to hand a track of miracle by a held design festival down to people in a world as far as it could be possible, in such Shinnosuke Uchida’s November, 2016.
During being freezing on the 1st, Uchida was impatient.
“By progress, YABAI......”
What happens? How is it done? Can Uchida draw a masterpiece up admirably in 2 days?
Ancient kinds upgrade a drawn wall painting by Uchida at a place by “neo-Tokyo” via time of thousands of years!
The too profitable 1 copy which can enjoy both of dynamic and physical function-like “work” and “author”.
This photograph collection is filled with a possibility of the cartoon! A reader may be an observer of history!
・内田慎之介（うちだ しんのすけ）
２０歳の頃に大友克洋氏の『AKIRA』に出会い漫画家を目指し、２３歳の時、ウルトラジャンプの新人賞で佳作を取りデビュー。しかしその後は上手くいかず、仕事に明け暮れる日々を過ごす。２７歳でもう一度と意気込み会社を辞め、漫画を持ち込むが、漫画家になるのを諦めた方が良いと言われ、出版社のトイレで１時間泣き、心が折れ持ち込みを諦める。しかし漫画を描くことを諦め切れず、会社に行きながらライブペイントで漫画を描くことを思いつき現在に至る。目標は世界進出。漫画家になれなくても私は漫画を描き続ける。
Shinnosuke Uchida
I meet Mr. Katsuhiro Otomo's "AKIRA" around 20 years old, get a fine work by a Rookie of the Year award of an ultra jump at 23 years old aiming at a cartoonist and debut. But I spend every day when I don't go and spend the time in work well after that. A decision company is left with the once again by 27 years old and a cartoon is brought in, but when it's better to give up becoming a cartoonist, it's called, and I cry for 1 hour in the restroom in a publishing company, and a heart breaks and bringing in is given up. But you can't finish giving up drawing a cartoon, and I can think of to draw a cartoon by live paint while going to a company, and it's to present. A target is the world advance. Even if I can't become a cartoonist, I keep drawing a cartoon.
そんな現代に、漫画文化の最先端国に生を受けつつ、漫画の表現方法を、史上例のない試みで根本的に再構築しようとする女丈夫がいた。
内田慎之介――。
商業誌でその才能を高く買われ、プロデビュー。しかし、彼女の先進性についていける者は多くはなかった。
内田は気づいた。
「原稿用紙は、私には小さすぎる……！」
『社畜』という日本独自の社会的ポジションに身を置きながらもコスプレをして巨大壁面に向かって漫画のライブペイントをおこなう、という突き抜けた前代未聞の発想。疑うならば、他にこのようなパフォーマンスを２０１５年の時点でおこなっていた者を挙げていただきたい。
本書は、そんな内田慎之介の、２０１６年１１月に開催されたデザインフェスタでの奇跡の軌跡を出来うる限り世の人々に伝えようという意図で作成された写真集である。
１日目、厳寒の中、内田は焦っていた。
「進捗がヤバイ……」
どうなる！？ どうする！？ 内田は２日間で見事大作を描き上げられるのか！？
古代人類が描いた壁画は、数千年の時を経て『ネオ東京』の地で内田の手によりバージョンアップ！
ダイナミックかつ官能的な『作品』と『作者』の両方が楽しめる、お得な１冊。
この写真集には漫画の可能性が詰まっている！ 読者は歴史の立会人かもしれない！
The Japanese cartoon industry which fully enjoyed unprecedented prosperity in 1980’s. But when the 21st century was met, a storm of digitalization raged in all over the world, and people came to regard a cartoon as analog anachronism culture, and a commercial magazine was decreasing the sales all.
The brave woman who tries to reorganize expression method of a cartoon fundamentally by the try which has no historical examples was in the most advanced country in cartoon culture such today, being given birth.
Shinnosuke Uchida--.
You buy its ability highly by a commercial magazine, professional debut. But there weren’t a lot of persons who can follow her spirit of innovation.
Uchida noticed.
“The manuscript paper is too small for me,......!”
Her Japan “syachiku”, I say that I get into a costume and do live paint of a cartoon to the huge wall though it’s in a personal social position, the unprecedented idea that you could penetrate. When it’s doubted, could you give me the person who was doing such other performances as of 2015?
This note is the photograph collection which was made by the intention to hand a track of miracle by a held design festival down to people in a world as far as it could be possible, in such Shinnosuke Uchida’s November, 2016.
During being freezing on the 1st, Uchida was impatient.
“By progress, YABAI......”
What happens? How is it done? Can Uchida draw a masterpiece up admirably in 2 days?
Ancient kinds upgrade a drawn wall painting by Uchida at a place by “neo-Tokyo” via time of thousands of years!
The too profitable 1 copy which can enjoy both of dynamic and physical function-like “work” and “author”.
This photograph collection is filled with a possibility of the cartoon! A reader may be an observer of history!
・内田慎之介（うちだ しんのすけ）
２０歳の頃に大友克洋氏の『AKIRA』に出会い漫画家を目指し、２３歳の時、ウルトラジャンプの新人賞で佳作を取りデビュー。しかしその後は上手くいかず、仕事に明け暮れる日々を過ごす。２７歳でもう一度と意気込み会社を辞め、漫画を持ち込むが、漫画家になるのを諦めた方が良いと言われ、出版社のトイレで１時間泣き、心が折れ持ち込みを諦める。しかし漫画を描くことを諦め切れず、会社に行きながらライブペイントで漫画を描くことを思いつき現在に至る。目標は世界進出。漫画家になれなくても私は漫画を描き続ける。
Shinnosuke Uchida
I meet Mr. Katsuhiro Otomo's "AKIRA" around 20 years old, get a fine work by a Rookie of the Year award of an ultra jump at 23 years old aiming at a cartoonist and debut. But I spend every day when I don't go and spend the time in work well after that. A decision company is left with the once again by 27 years old and a cartoon is brought in, but when it's better to give up becoming a cartoonist, it's called, and I cry for 1 hour in the restroom in a publishing company, and a heart breaks and bringing in is given up. But you can't finish giving up drawing a cartoon, and I can think of to draw a cartoon by live paint while going to a company, and it's to present. A target is the world advance. Even if I can't become a cartoonist, I keep drawing a cartoon.
