What Are You Doing Here? investigates how black women musicians and fans navigate the metal, hardcore, and punk music genres that are regularly thought of as inclusive spaces and centered on a community spirit, but fail to block out the race and gender issues that exist in the outside world.
“Dawes has done the metal scene a great service…an important addition to every metal fan’s bookshelf”—MSN.com
“A fantastic book”—AOL Noisecreep
“How exciting is this? The book tackles the good, the bad and the ugly sides of being a black woman in the metal and punk scenes.”—Afropunk.com
“The women presented in What Are You Doing Here? are courageous, honest and without pretense—just like the best metal that ultimately unites them.”—Albert Mudrian, editor-in-chief, Decibel
“I wanted to find other black women like me: metal, hardcore, and punk fans and musicians that were rabid about the music and culture and adamant about asserting their rightful place as black women within those scenes. I wanted to find other women who put aside the cultural baggage that dictates that we must listen to certain musical styles, and simply enjoy the music that influenced us, not just as black women, but as individuals who grew up in an era when, thanks to technology, a large variety of music is accessible and available to everyone. I found many black women and have shared their stories, but I also realize there is still a lot of work to be done.”—Laina Dawes
“Dawes has done the metal scene a great service…an important addition to every metal fan’s bookshelf”—MSN.com
“A fantastic book”—AOL Noisecreep
“How exciting is this? The book tackles the good, the bad and the ugly sides of being a black woman in the metal and punk scenes.”—Afropunk.com
“The women presented in What Are You Doing Here? are courageous, honest and without pretense—just like the best metal that ultimately unites them.”—Albert Mudrian, editor-in-chief, Decibel
“I wanted to find other black women like me: metal, hardcore, and punk fans and musicians that were rabid about the music and culture and adamant about asserting their rightful place as black women within those scenes. I wanted to find other women who put aside the cultural baggage that dictates that we must listen to certain musical styles, and simply enjoy the music that influenced us, not just as black women, but as individuals who grew up in an era when, thanks to technology, a large variety of music is accessible and available to everyone. I found many black women and have shared their stories, but I also realize there is still a lot of work to be done.”—Laina Dawes
