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    Mona Lisa Overdrive (Trilogia do Sprawl)

    Por William Gibson e Carlos Irineu
    Existem 10 citações disponíveis para Mona Lisa Overdrive (Trilogia do Sprawl)

    Sobre

    Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes. An over-the-top thrill ride sequel to Neuromancer and Count Zero.
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    Citações de Mona Lisa Overdrive (Trilogia do Sprawl)

    “But you won’t see either of ’em, won’t hear ’em, nothing.”

    in a disjointed trance of shame,

    She wasn’t thinking; her hands seemed to know what to do, friendly animals that wouldn’t hurt her.

    of JAL’s restored Concorde, with Robin and a hand-picked party of Net people.

    an obsessive interrogation of rigidly delimited fields of visual information. His approaches range from classical montage to techniques borrowed from industrial espionage, deep-space imaging, and kino-archaeology. Antarctica

    The architects, as if in recognition of eternal processes, had encouraged a degree of rust; massive steel railings along the deck had been eaten wrist-thin by years of spray. The house crouched, like its neighbors, on fragments of ruined foundations, and her walks along the beach sometimes involved attempts at archaeological fantasy. She

    This was nothing like Tokyo, where the past, all that remained of it, was nurtured with a nervous care. History there had become a quantity, a rare thing, parceled out by government and preserved by law and corporate funding. Here it seemed the very fabric of things, as if the city were a single growth of stone and brick, uncounted strata of message and meaning, age upon age, generated over the centuries to the dictates of some now-all-but-unreadable DNA of commerce and empire.

    Kumiko frowned and tossed the unit into the ghost’s lap. He vanished. She

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