Lightspeed Magazine is a monthly science fiction magazine that features all types of sf, from near-future, sociological soft sf, to far-future, star-spanning hard sf, and anything and everything in between:
In “Saying the Names,” debut author Maggie Clark gives us the story of a woman hired to navigate the sticky legal system of a complicated alien race, and her own equally sticky relationship with the defendant.
“Gossamer” by Stephen Baxter takes us to Pluto and Charon, tidally-locked in their mutual orbit. A team briefly stranded there discovers that timing is everything, and that the relationship between the two worlds is more complicated than anyone had guessed.
In “Spider the Artist,” Nnedi Okorafor takes us to Nigeria of the future, where Big Oil protects the pipelines with spider-like AIs known as zombies, and tells the tale of a woman who faces down one of the murderous machines armed only with a guitar.
Woman Leaves Room” by Robert Reed gives us a view of immortality, forgotten files, and perhaps a reminder to be awake for the parts of life that matter.
In “Saying the Names,” debut author Maggie Clark gives us the story of a woman hired to navigate the sticky legal system of a complicated alien race, and her own equally sticky relationship with the defendant.
“Gossamer” by Stephen Baxter takes us to Pluto and Charon, tidally-locked in their mutual orbit. A team briefly stranded there discovers that timing is everything, and that the relationship between the two worlds is more complicated than anyone had guessed.
In “Spider the Artist,” Nnedi Okorafor takes us to Nigeria of the future, where Big Oil protects the pipelines with spider-like AIs known as zombies, and tells the tale of a woman who faces down one of the murderous machines armed only with a guitar.
Woman Leaves Room” by Robert Reed gives us a view of immortality, forgotten files, and perhaps a reminder to be awake for the parts of life that matter.
