An study of popular beliefs about gender and witchcraft in England through examination of contemporary broadside ballads and pamphlets.
Contents:
1. Introduction: Popular print and the study of witchcraft
2. The presentation of gender in popular print and witchcraft historiography
3. The portrayal of witches
4. Witchcraft crimes
5. Conclusions
‘Most Base and False Ballets’? Witchcraft, Gender and Popular Print in England, 1541 – 1684 (English Edition)
Sobre
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