Another year, another apocalypse.
This week in Lovecraftiana II, an anonymous narrator tells us exactly why he hates the Moon…
We also have the conclusion to Todd Nelsen’s superhero story, Black Sun, which is followed by The Deep Creek Man, by Joseph Rubas, who has previously been published in in a number of ‘zines and hardcopy publications, including: The Storyteller; Eschatology Journal; Infective Ink; Strange, Weird, and Wonderful; Horror Bound Online; Short Story.Me!; parABnormal digest; Shadowland, and various anthologies. Then there’s the next installment of James Rhodes’ dystopian The Days of Mr Thomas, followed by Omar ZahZah’s latest tale of horror: Mr Henry. Daniel’s Dream, Hilltop Manor and A Journey to the Centre of the Earth all continue. We also have another review from Obsidian in A View Through the Bionacle: The Crow: Flesh and Blood, which features a female Crow. Incidentally, for all you Bigfoot: Sword of the Earthman fans, the second edition is coming soon. Watch this space.
This week we’re showcasing White Hair, the seventh and last song by Blackwater Jukebox from their album Sleaze of The Reaper. Diverse versions have been collected in Nova Scotia, Quebec, and Northeast Kingdom (Vermont) work camps. Derived from the Hebridean melody, “I Long for Thy Virginitie.”
This week in Lovecraftiana II, an anonymous narrator tells us exactly why he hates the Moon…
We also have the conclusion to Todd Nelsen’s superhero story, Black Sun, which is followed by The Deep Creek Man, by Joseph Rubas, who has previously been published in in a number of ‘zines and hardcopy publications, including: The Storyteller; Eschatology Journal; Infective Ink; Strange, Weird, and Wonderful; Horror Bound Online; Short Story.Me!; parABnormal digest; Shadowland, and various anthologies. Then there’s the next installment of James Rhodes’ dystopian The Days of Mr Thomas, followed by Omar ZahZah’s latest tale of horror: Mr Henry. Daniel’s Dream, Hilltop Manor and A Journey to the Centre of the Earth all continue. We also have another review from Obsidian in A View Through the Bionacle: The Crow: Flesh and Blood, which features a female Crow. Incidentally, for all you Bigfoot: Sword of the Earthman fans, the second edition is coming soon. Watch this space.
This week we’re showcasing White Hair, the seventh and last song by Blackwater Jukebox from their album Sleaze of The Reaper. Diverse versions have been collected in Nova Scotia, Quebec, and Northeast Kingdom (Vermont) work camps. Derived from the Hebridean melody, “I Long for Thy Virginitie.”
