Anti-Semitism is a racial concept, in the sense of hatred of the Jews because of immutable and ineradicable racial characteristics. Anti-Semitism is wrong and has always been repudiated by the Church. However, a Christian must be anti-Jewish in the sense of opposing beliefs and actions of Jews that operate as a consequence of the Jewish rejection of Christ. Many Jews try sincerely to live up to the moral law. Nevertheless, the Jews rejected Logos, the Reason for the universe and its redemption, and so rejected Christ, the Supernatural Messiah, in order to support anti-Christian revolutionary movements. This rejection of Logos has led directly to that cultural subversion and collapse of the moral order expressed in the title of this book.
The book first examines the use of sexual imagery and propaganda as a means of psychological warfare and social control, a technique of subversion with a long history and recently used by Jews in the modern Culture Wars. The book then explains the roots of the Jewish subversion of the moral law situated centrally in the rejection of Logos, the moral and social order stemming from God and Christ.
The book then examines the prominent role played by Jews in the media, notably in film and Hollywood, and the battles that have taken place in this context between the Catholic Church and the Jews. A similar phenomenon can be seen in relation to the widespread Jewish promotion of abortion, which is examined next, followed by a study of Jewish influence in the arts and culture.
The book then moves from specifics to general principle, namely the malign influence of Wilhelm Reich in the overturning of traditional morality and its replacement by sexual revolution. An analysis of the role of Logos in history, the fostering and protection of the moral order under the authority of the Catholic Church, then follows as a contrast. The book then looks at a case study of the tragic consequences of revolution, namely the recent situation relating to the sexual abuse of women in India. This is followed by a discussion of the prominent role played recently by Jews to promote a reversion from traditional marriage to "same-sex marriage."
A short conclusion deals with the way forward for defenders of the moral law. Central to this is a move away from the materialistic ethos and back to traditional moral and religious principles characterized by Logos.
The book first examines the use of sexual imagery and propaganda as a means of psychological warfare and social control, a technique of subversion with a long history and recently used by Jews in the modern Culture Wars. The book then explains the roots of the Jewish subversion of the moral law situated centrally in the rejection of Logos, the moral and social order stemming from God and Christ.
The book then examines the prominent role played by Jews in the media, notably in film and Hollywood, and the battles that have taken place in this context between the Catholic Church and the Jews. A similar phenomenon can be seen in relation to the widespread Jewish promotion of abortion, which is examined next, followed by a study of Jewish influence in the arts and culture.
The book then moves from specifics to general principle, namely the malign influence of Wilhelm Reich in the overturning of traditional morality and its replacement by sexual revolution. An analysis of the role of Logos in history, the fostering and protection of the moral order under the authority of the Catholic Church, then follows as a contrast. The book then looks at a case study of the tragic consequences of revolution, namely the recent situation relating to the sexual abuse of women in India. This is followed by a discussion of the prominent role played recently by Jews to promote a reversion from traditional marriage to "same-sex marriage."
A short conclusion deals with the way forward for defenders of the moral law. Central to this is a move away from the materialistic ethos and back to traditional moral and religious principles characterized by Logos.
