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    Time Waits for Winthrop (The Galaxy Project) (English Edition)

    Por William Tenn

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    In an afterword to this story when it was reprinted over a decade ago in his three volume complete works, Phillip Klass (who used the pseudonym “William Tenn” for his science fiction) noted that he had been paid originally $790 for this 23,000 word novella which was, before he sold BERNIE THE FAUST for $5000 to Playboy a few years later, the largest amount he had ever received for a single work. Such was the science fiction market in the 50’s (and so for the most part is the science fiction market today). TIME WAITS FOR WINTHROP, published in 1957, was the longest of Tenn’s contributions to GALAXY and among his last (a short story, THE DISCOVERY OF MORNIEL MATHAWAY was to follow in 1958 and then THE MEN IN THE WALLS, the first third of his one novel, in 1963). It may be the most carefully worked and precise of his many contributions to the magazine. Superficially dealing with the tension overwhelming a group of corporately-displaced time travelers when one of them, the eponymous Winthrop, decides that he does not want to return to a despicable present this novella is really about culture shock, culture conflict, the narcissism of humanity...topics which concerned Twain, Voltaire and Jonathan Swift and which were worked out no less elegantly by William Tenn. It was in the publication of this novella that Horace Gold deliberately or through inadvertence revealed the author’s true identity, printed “Phillip Klass” at the end of the work (GALAXY’s symbol for finis) rather than the pseudonym. Klass was infuriated, betrayed at the time, wrote many years later that he had come to realize that with this novella he had again demonstrated complete artistic maturity and that Horace was telling him “Time to grow up and accept your fate, Phil.”

    ABOUT THE AUTHOR

    “William Tenn” was the pseudonym for his science fiction used by Phillip Klass (1920-2010); he is regarded as the finest satirist in the history of the field with an ingenious command of narrative. Tenn’s blend of compassion and ferocity, dark comedy and satire merged with the work of three other writers (Damon Knight, Cyril Kornbluth, Robert Sheckley) to create the characteristic voice of the magazine. After becoming a tenured Professor of English and Creative Writing at Penn State University in the middle ’60s, Klass virtually abandoned fiction writing, publishing only three short stories in his last four and a half decades. To reflect his importance to GALAXY magazine, three other William Tenn works are included among the 23 which compose the initial issue of The Galaxy Project.

    ABOUT THE SERIES

    Horace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.

    The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.
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